Chapter 6

ONE MORNING, THERE'S the dead jellyfish of a used condom floating in the toilet.
This is how Tyler meets Marla.
I get up to take a leak, and there against the sort of cave paintings of dirt in the toilet bowl is this. You have to wonder, what do sperm think.
This?
This is the vaginal vault?
What's happening here?
All night long, I dreamed I was humping Marla Singer. Marla Singer smoking her cigarette. Marla Singer rolling her eyes. I wake up alone in my own bed, and the door to Tyler's room is closed. The door to Tyler's room is never closed. All night, it was raining. The shingles on the roof blister, buckle, curl, and the rain comes through and collects on top of the ceiling plaster and drips down through the light fixtures.



When it's raining, we have to pull the fuses. You don't dare turn on the lights. The house that Tyler rents, it has three stories and a basement. We carry around candles. It has pantries and screened sleeping porches and stained-glass windows on the stairway landing. There are bay windows with window seats in the parlor. The baseboard moldings are carved and varnished and eighteen inches high.
The rain trickles down through the house, and everything wooden swells and shrinks, and the nails in everything wooden, the floors and baseboards and window casings, the nails inch out and rust.



Everywhere there are rusted nails to step on or snag your elbow on, and there's only one bathroom for the seven bedrooms, and now there's a used condom.
The house is waiting for something, a zoning change or a will to come out of probate, and then it will be torn down. I asked Tyler how long he's been here, and he said about six weeks. Before the dawn of time, there was an owner who collected lifetime stacks of the National Geographic and Reader's Digest. Big teetering stacks of magazines that get taller every time it rains. Tyler says the last tenant used to fold the glossy magazine pages for cocaine envelopes. There's no lock on the front door from when police or whoever kicked in the door. There's nine layers of wallpaper swelling on the dining-room walls, flowers under stripes under flowers under birds under grasscloth.
Our only neighbors are a closed machine shop and across the street, a blocklong warehouse. Inside the house, there's a closet with sevenfoot rollers for rolling up damask tablecloths so they never have to be creased. There's a cedarlined, refrigerated fur closet. The tile in the bathroom is painted with little flowers nicer than most everybody's wedding china, and there's a used condom in the toilet.
I've been living with Tyler about a month.
I am Joe's White Knuckles.
How could Tyler not fall for that. The night before last, Tyler sat up alone, splicing sex organs into Snow White.
How could I compete for Tyler's attention.
I am Joe's Enraged, Inflamed Sense of Rejection.
What's worse is this is all my fault. After I went to sleep last night, Tyler tells me he came home from his shift as a banquet waiter, and Marla called again from the Regent Hotel. This was it, Marla said. The tunnel, the light leading her down the tunnel. The death experience was so cool, Marla wanted me to hear her describe it as she lifted out of her body and floated up.
Marla didn't know if her spirit could use the telephone, but she wanted someone to at least hear her last breath.
No, but no, Tyler answers the phone and misunderstands the whole situation.
They've never met so Tyler thinks it's a bad thing that Marla is about to die.
It's nothing of the kind.
This is none of Tyler's business, but Tyler calls the police and Tyler races over to the Regent Hotel.
Now, according to the ancient Chinese custom we all learned from television, Tyler is responsible for Marla, forever, because Tyler saved Marla's life.
If I had only wasted a couple of minutes and gone over to watch Marla die, then none of this would have happened.
Tyler tells me how Marla lives in room 8G, on the top floor of the Regent Hotel, up eight flights of stairs and down a noisy hallway with canned television laughter coming through the doors. Every couple seconds an actress screams or actors die screaming in a rattle of bullets. Tyler gets to the end of the hallway and even before he knocks a thin, thin, buttermilk sallow arm slingshots out the door of room 8G, grabs his wrist, and yanks Tyler inside.
I bury myself in a leader's Digest.
Even as Marla yanks Tyler into her room, Tyler can hear brake squeals and sirens collecting out in front of the Regent Hotel. On the dresser, there's a dildo made of the same soft pink plastic as a million Barbie dolls, and for a moment, Tyler can picture millions of baby dolls and Barbie dolls and dildos injectionmolded and coming off the same assembly line in Taiwan.
Marla looks at Tyler looking at her dildo, and she rolls her eyes and says, "Don't be afraid. It's not a threat to you."
Marla shoves Tyler back out into the hallway, and she says she's sorry, but he shouldn't have called the police and that's probably the police downstairs right now.
In the hallway, Marla locks the door to 8G and shoves Tyler toward the stairs. On the stairs, Tyler and Marla flatten against the wall as police and paramedics charge by with oxygen, asking which door will be 8G.
Marla tells them the door at the end of the hall.
Marla shouts to the police that the girl who lives in 8G used to be a lovely charming girl, but the girl is a monster bitch monster. The girl is infectious human waste, and she's confused and afraid to commit to the wrong thing so she won't commit to anything.
"The girl in 8G has no faith in herself," Marla shouts, "and she's worried that as she grows older, she'll have fewer and fewer options."
Marla shouts, "Good luck."
The police pile up at the locked door to 8G, and Marla and Tyler hurry down to the lobby. Behind them, a policeman is yelling at the door:
"Let us help you! Miss Singer, you have every reason to live! Just let us in, Marla, and we can help you with your problems!"
Marla and Tyler rushed out into the street. Tyler got Marla into a cab, and high up on the eighth floor of the hotel, Tyler could see shadows moving back and forth across the windows of Marla's room.
Out on the freeway with all the lights and the other cars, six lanes of traffic racing toward the vanishing point, Marla tells Tyler he has to
keep her up all night. If Marla ever falls asleep, she'll die.
A lot of people wanted Marla dead, she told Tyler. These people were already dead and on the other side, and at night they called on the telephone. Marla would go to bars and hear the bartender calling her name, and when she took the call, the line was dead.
Tyler and Marla, they were up almost all night in the room next to mine. When Tyler woke up, Marla had disappeared back to the Regent Hotel.
I tell Tyler, Marla Singer doesn't need a lover, she needs a case worker.
Tyler says, "Don't call this love."
Long story short, now Marla's out to ruin another part of my life. Ever since college, I make friends. They get married. I lose friends.
Fine.
Neat, I say.
Tyler asks, is this a problem for me?
I am Joe's Clenching Bowels.
No, I say, it's fine.
Put a gun to my head and paint the wall with my brains.
Just great, I say. Really.

M Y B O S S S E N D S me home because of all the dried blood on my pants, and I am overjoyed.
The hole punched through my cheek doesn't ever heal. I'm going to work, and my punched-out eye sockets are two swollen-up black bagels around the little piss holes I have left to see through. Until today, it really pissed me off that I'd become this totally centered Zen Master and nobody had noticed. Still, I'm doing the little FAX thing. I write little HAIKU things and FAX them around to everyone. When I pass people in the hall at work, I get totally ZEN right in everyone's hostile little FACE.
Worker bees can leave
Even drones can fly away
The queen is their slave

You give up all your worldly possessions and your car and go live in a rented house in the toxic waste part of town where late at night, you can hear Marla and Tyler in his room, calling each other hum; butt wipe.
Take it, human butt wipe.
Do it, butt wipe.
Choke it down. Keep it down, baby.
Just by contrast, this makes me the calm little center of the world.
Me, with my punched-out eyes and dried blood in big black crusty stains on my pants, I'm saying HELLO to everybody at work. HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it's so cool to be ENLIGHTENED. Like me.
Sigh.
Look. Outside the window. A bird.
My boss asked if the blood was my blood.
The bird flies downwind. I'm writing a little haiku in my head.

Without just one nest
A bird can call the world home
Life is your career

I'm counting on my fingers: five, seven, five. The blood, is it mine? Yeah, I say. Some of it. This is a wrong answer.

Like this is a big deal. I have two pair of black trousers. Six white shirts. Six pair of underwear. The bare minimum. I go to fight club. These things happen. "Go home," my boss says. "Get changed."
I'm starting to wonder if Tyler and Marla are the same person. Except for their humping, every night in Marla's room.
Doing it.
Doing it.
Doing it.
Tyler and Marla are never in the same room. I never see them together.
Still, you never see me and Zsa Zsa Gabor together, and this doesn't mean we're the same person. Tyler just doesn't come out when Marla's around.
So I can wash the pants, Tyler has to show me how to make soap. Tyler's upstairs, and the kitchen is filled with the smell of cloves and burnt hair. Marla's at the kitchen table, burning the inside of her arm with a clove cigarette and calling herself human butt wipe.
"I embrace my own festering diseased corruption," Marla tells the cherry on the end of her cigarette. Marla twists the cigarette into the soft white belly of her arm. "Burn, witch, burn."
Tyler's upstairs in my bedroom, looking at his teeth in my mirror, and says he got me a job as a banquet waiter, part time.



"At the Pressman Hotel, if you can work in the evening," Tyler says. "The job will stoke your class hatred."
Yeah, I say, whatever.
"They make you wear a black bow tie," Tyler says. "All you need to work there is a white shirt and black trousers."
Soap, Tyler. I say, we need soap. We need to make some soap. I need to wash my pants.
I hold Tyler's feet while he does two hundred sit-ups.
"To make soap, first we have to render fat." Tyler is full of useful information.
Except for their humping, Marla and Tyler are never in the same room. If Tyler's around, Marla ignores him. This is familiar ground.
"The big sleep, `Valley of the Dogs' style.
"Where even if someone loves you enough to save your life, they still castrate you." Marla looks at me as if I'm the one humping her and says, "I can't win with you, can I?"
Marla goes out the back door singing that creepy "Valley of the Dolls" song.
I just stare at her going.
There's one, two, three moments of silence until all of Marla is gone from the room.
I turn around, and Tyler's appeared.
Tyler says, "Did you get rid of her?"
Not a sound, not a smell, Tyler's just appeared.
"First," Tyler says and jumps from the kitchen doorway to digging in the freezer. "First, we need to render some fat."
About my boss, Tyler tells me, if I'm really angry I should go to the post office and fill out a change-of-address card and have all his mail forwarded to Rugby, North Dakota.
Tyler starts pulling out sandwich bags of frozen white stuff and dropping them in the sink. Me, I'm supposed to put a big pan on the stove and fill it most of
the way with water. Too little water, and the fat will darken as it separates into tallow.
"This fat," Tyler says, "it has a lot of salt so the more water, the better."
Put the fat in the water, and get the water boiling.
Tyler squeezes the white mess from each sandwich bag into the water, and then Tyler buries the empty bags all the way at the bottom of the trash.
Tyler says, "Use a little imagination. Remember all that pioneer shit they taught you in Boy Scouts. Remember your high school chemistry."
It's hard to imagine Tyler in Boy Scouts.

Another thing I could do, Tyler tells me, is I could drive to my boss's house some night and hook a hose up to an outdoor spigot. hook the hose to a hand pump, and I could inject the house plumbing with a charge of industrial dye. Red or blue or green, and wait to see how my boss looks the next day. Or, I could just sit in the bushes and pump the hand pump until the plumbing was superpressurized to 110 psi. This way, when someone goes to flush a toilet, the toilet tank will explode. At 150 psi, if someone turns on the shower, the water pressure will blow off the shower head, strip the threads, blam, the shower head turns into a mortar shell.
Tyler only says this to make me feel better. The truth is I like my boss. Besides, I'm enlightened now. You know, only Buddha-style behavior. Spider chrysanthemums. The Diamond Sutra and the Blue Cliff Record. Hari Rama, you know, Krishna, Krishna. You know, Enlightened.
"Sticking feathers up your butt," Tyler says, "does not make you a chicken."
As the fat renders, the tallow will float to the surface of the boiling water.
Oh, I say, so I'm sticking feathers up my butt.
As if Tyler here with cigarette burns marching up his arms is such an evolved soul. Mister and Missus Human Butt Wipe. I calm my face down and turn into one of those Hindu cow people going to slaughter on the airline emergency procedure card.
Turn down the heat under the pan.
I stir the boiling water.
More and more tallow will rise until the water is skinned over with a rainbow mother-of-pearl layer. Use a big spoon to skim the layer off, and set this layer aside.
So, I say, how is Marla?
Tyler says, "At least Marla's trying to hit bottom."
I stir the boiling water.
Keep skimming until no more tallow rises. This is tallow we're skimming off the water. Good clean tallow.
Tyler says I'm nowhere near hitting the bottom, yet. And if I don't fall all the way, I can't be saved. Jesus did it with his crucifixion thing. I shouldn't just abandon money and property and knowledge. This isn't just a weekend retreat. I should run from self-improvement, and I should be running toward disaster. I can't just play it safe anymore.
This isn't a seminar.
"If you lose your nerve before you hit the bottom," Tyler says, "you'll never really succeed."
Only after disaster can we be resurrected.
"It's only after you've lost everything," Tyler says, "that you're free to do anything."
What I'm feeling is premature enlightenment.
"And keep stirring," Tyler says.
When the fat's boiled enough that no more tallow rises, throw out the boiling water. Wash the pot and fill it with clean water.
I ask, am I anywhere near hitting bottom?
"Where you're at, now," Tyler says, "you can't even imagine what the bottom will be like."
Repeat the process with the skimmed tallow. Boil the tallow in the water. Skim and keep skimming. "The fat we're using has a lot of salt in it," Tyler says. "Too much salt and your soap won't get solid." Boil and skim.
Boil and skim.
Marla is back.
The second Marla opens the screen door, Tyler is gone, vanished, run out of the room, disappeared.
Tyler's gone upstairs, or Tyler's gone down to the basement.
Poof.

Marla comes in the back door with a canister of lye flakes.
"At the store, they have one-hundred-percent-recycled toilet paper," Marla says. "The worst job in the whole world must be recycling toilet paper."
I take the canister of lye and put it on the table. I don't say anything.
"Can I stay over, tonight?" Marla says.
I don't answer. I count in my head: five syllables, seven, five.

A tiger can smile
A snake will say it loves you
Lies make us evil
Marla says, "What are you cooking?"
I am Joe's Boiling Point.
I say, go, just go, just get out. Okay? Don't you have a big enough chunk of my life, yet?
Marla grabs my sleeve and holds me in one place for the second it takes to kiss my cheek. "Please call me," she says. "Please. We need to talk."
I say, yeah, yeah, yeah, yeah, yeah.
The moment Marla is out the door, Tyler appears back in the room.
Fast as a magic trick. My parents did this magic act for five years.
I boil and skim while Tyler makes room in the fridge. Steam layers the air and water drips from the kitchen ceiling. The forty-watt bulb hidden in the back of the fridge, something bright I can't see behind the empty ketchup bottles and jars of pickle brine or mayonnaise, some tiny light from inside the fridge edges Tyler's profile bright.
Boil and skim. Boil and skim. Put the skimmed tallow into milk cartons with the tops opened all the way.
With a chair pulled up to the open fridge, Tyler watches the tallow
cool. In the heat of the kitchen, clouds of cold fog waterfall out from the bottom of the fridge and pool around Tyler's feet.
As I fill the milk cartons with tallow, Tyler puts them in the fridge.
I go to kneel beside Tyler in front of the fridge, and Tyler takes my hands and shows them to me. The life line. The love line. The mounds of Venus and Mars. The cold fog pooling around us, the dim bright light on our faces.
"I need you to do me another favor," Tyler says.
This is about Marla isn't it?
"Don't ever talk to her about me. Don't talk about me behind my back. Do you promise?" Tyler says.
I promise.
Tyler says, "If you ever mention me to her, you'll never see me again."
I promise.
"Promise?"
I promise.
Tyler says, "Now remember, that was three times that you promised."
A layer of something thick and clear is collecting on top of the tallow in the fridge.
The tallow, I say, it's separating.
"Don't worry," Tyler says. "The clear layer is glycerin. You can mix the glycerin back in when you make soap. Or, you can skim the glycerin off."
Tyler licks his lips, and turns my hands palm-down on his thigh, on the gummy flannel lap of his bathrobe. , ,
"You can mix the glycerin with nitric acid to make nitroglycerin," Tyler says.
I breathe with my mouth open and say, nitroglycerin.
Tyler licks his lips wet and shining and kisses the back of my hand.

"You can mix the nitroglycerin with sodium nitrate and sawdust to make dynamite," Tyler says.
The kiss shines wet on the back of my white hand.
Dynamite, I say, and sit back on my heels.

Tyler pries the lid off the can of lye. "You can blow up bridges," Tyler says.
"You can mix the nitroglycerin with more nitric acid and paraffin and make gelatin explosives," Tyler says.
"You could blow up a building, easy," Tyler says.
Tyler tilts the can of lye an inch above the shining wet kiss on the back of my hand.
"This is a chemical burn," Tyler says, "and it will hurt worse than you've ever been burned. Worse than a hundred cigarettes."
The kiss shines on the back of my hand.
"You'll have a scar," Tyler says.
"With enough soap," Tyler says, "you could blow up the whole world. Now remember your promise."
And Tyler pours the lye.